Tag Archives: Canadian

One eRead Canada 2024

, , ,
Cover-image-for-French-translation-of-Hotline-by-Dimitri-Nasrallah.

This year’s choice for the One eRead Canada campaign is Hotline by Dimitri Nasrallah. First, a little bit about One eRead Canada. It’s a yearly initiative started by the Canadian Urban Libraries Council (CULC) to promote digital literature and eAudiobooks (electronic audiobooks) as formats for reading. For that reason, every year, one book by a Canadian author is made available as an eBook (in English and in French) and an eAudiobook with no restrictions on access, no need to place a hold, and no waiting lists for the month of April. For us at Vaughan Public Library, that means you can download it on the OverDrive website, through the Libby app, on Hoopla, and on Cantook Station. The eBook will also be instantaneously available in French (translated by Daniel Grenier) on these platforms. For Francophones with an interest in the audiobook, it’s being offered through “Service québécois du livre adapté (SQLA) from Bibliothèque et Archives nationale du Québec (BANQ), and in English and French from Centre for Equitable Library Access (CELA), and National Network for Equitable Library Service (NNELS).”1 One eRead is also a national book club, author events included, to facilitate a nationwide conversation about the work. CULC’s intent is also to stimulate a dialogue around the importance of access to such digital content. You may have noticed that not every eBook is available for instant download on apps and websites like Libby and Hoopla. Publishers negotiate with vendors and libraries to determine things like how many simultaneous uses of an eBook will be permitted, how many digital copies will be available, and what restrictions there will be on use. The cost of these resources is an ongoing issue that libraries have been dealing with for quite some time. Part of the purpose of the campaign is to encourage awareness around the need for fair pricing. I could digress here…ad nauseum, but suffice it to say, libraries are constantly having to prove the worth and justify the cost of the essential services, resources, and programs we provide. Fair pricing for eBooks and eAudiobooks would go a long way.

Continue reading →

The Sleeping Car Porter: Canada’s Hidden Black History

, , , , ,

February is Black History Month! To celebrate, VPL has put together programming for all ages, including Black History: The Music and the Message for kids, and an adult book club where we’ll discuss The Skin We’re In by Desmond Cole. For more programming options, check out our What’s On Magazine.

Suzette Mayr’s The Sleeping Car Porter uncovers a portion of Canadian history lost to time—more specifically, Black Canadian history, lost to time due to institutional neglect. The 2022 Giller Prize winning novel follows a young Black man in the 1920s named Baxter, who has come over from the Caribbean for a job as a train porter in order to save up money for dental school. The novel’s timeline is a single cross-country train journey, from Montreal all the way to Banff, during which Baxter’s lack of sleep results in a blurry delirium made worse by the constant demands of his customers.  

I’ll admit I knew nothing about sleeping car porter history prior to reading this novel, but there were enough intentionally placed, specific references to suspect that there was likely a well of history behind Baxter’s story. Why, for example, did (white) customers keep calling him George? What was this Brotherhood they keep mentioning? Turning the last page over to Mayr’s extensive bibliography was the final clue that this novel is very, very heavily based on real Canadian history. So like any good nerd, I went on a bit of a deep dive and checked out They Call Me George: The Untold Story of Black Train Porters and the Birth of Modern Canada by Cecil Foster and My Name’s Not George: The Story of the Brotherhood of Sleeping Car Porters in Canada by Stanley G. Grizzle, two titles from Mayr’s research that are available at VPL. They Call Me George is a particularly useful companion read to The Sleeping Car Porter, as it often answers the questions brought up in the novel. What I learned took me by surprise: Black porters were not only part of the Canadian cultural consciousness of the early to mid-20th century, they were also instrumental in instigating a Black middle class, and even helped cement—not by accident, but by will—our identity as a multicultural nation, on which we now pride ourselves.  

Continue reading →

Brother (by David Chariandy)

, , , ,

Longlisted for the 2017 Scotiabank Giller Prize, shortlisted for the Rogers Writers’ Trust BrotherFiction Prize, Brother is a short but tight story contains so much emotion and is very intense. It explores masculinity, family, race, and identity as they are played out in a Scarborough housing complex.

Personally, I really connected with the immigrant experience and problems surrounding this community. I love the fact that this book didn’t shy away from sadness. Grieving is a complicated process and ongoing, whether it’s for death, lost love, lost life, or lost memories. Sometimes it will take collected effort to keep the healing going. In addition, I can better understand the disadvantage in the black community after this book, for that’s what happened to Micheal and Francis. Brother is an important and relevant story today.

I read The Sun and Her Flowers (Rupi Kaur) after this book, and I feel that some of the passages in Kaur’s poems really echo with themes in Brother. These connections between the two books are kind of unexpected and serendipitous.

Brother has an ending that satisfied me; without giving anything away, I just want to say that the very last word charged me with power and energy. It’s not the kind of ending where everyone lived happily ever after, but it offers comfort, support, and it acknowledged that it is ok to have scares in your heart. In the end, what really matters is to express, to reach out, and to heal together.

You might also like:

Scarborough

One of the Boys

The Idiot

More

Also by David Chariandy:

Soucouyant