Tag Archives: Fantasy

Babel: An Arcane History

Babel (full subtitle: Or, the Necessity of Violence: An Arcane History of the Oxford Translator’s Revolution) by R.F. Kuang is a big, bold, incredible conundrum of a novel. Anything clocking in at over 500 pages is already going to be asking a lot from its readers. And that title? Music to my history nerd ears (eyes?), but what a mouthful! From the jump, Kuang is telegraphing what you’re about to sink into, and that is a dense, at times challenging, historical epic. Babel follows Robin Swift as he’s taken from his home in Canton to be raised in England, priming him for a lucrative career in Oxford’s translation department. But things aren’t all what they seem, and Robin quickly gets caught up in an underground, anticolonial movement called the Hermes Society.  

This book is marketed as a fantasy, but it’s light on the magic. In this version of Industrial Revolution era Britain, the gilded Oxford University has a Royal Institute of Translation (I googled: not a real thing) based out of a tower aptly named Babel. This institute works by translating and inscribing words into enchanted silver bars, which function like a source of energy for their owners. So, countries that can afford more silver bars gain more power. Kuang doesn’t imagine much of an alternate history here; Britain is the dominant force in the silver trade and thus has the strongest colonial power—just like real life. Truthfully, not much is different than actual British trade history. I know some readers were frustrated by that, but it doesn’t bother me. Just approach the novel like historical fiction with some slight fantasy elements, and that should mitigate any disappointment. 

Rather than the more typical elements of fantasy fiction, the magic in this world is the act of translation itself. This might be where reader reactions diverge. Kuang, a scholar through and through (she currently has two Masters, one each from Oxford and Cambridge, and a PhD in East Asian Languages and Literature from Yale) is not shy about loading the text with thorough explorations of linguistics and the history of language. Your mileage may vary on how interesting this is; as someone who minored in linguistics, I am always happy to see the word “Proto-Indo-European” appear in the wild. Give me all the etymologies! 

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Modern Myths

Modern Myths

The cover of The Penelopiad, by Margaret Atwood

I have always been fascinated by mythology and, to a lesser extent, the religions surrounding it. Or that created the myths in the first place. Having been raised religious only to eschew that way of life as I get older, as many people in my generation have, I still remember the stories that are part of the mythos of Catholicism*1: God creating the world in seven days*2, Noah’s ark, David and Goliath, The Book of Revelation, and others. These are shared archetypical stories transcending cultures, even if details differ. The Creation Myth*3The Ark*4Divine Intervention*5, and The End of the World as We Know It*6 link with the stories mentioned. With these tales being archetypical, it’s only natural that they get repackaged and repurposed as time passes. Sometimes they’re brought into modern times but maintain the same message or ideas. Other times authors take them in a different direction or focus on characters that were sidelined in the original tale, which is particularly common with female characters. These rewrites can be serioussatiricalfeministdrive home An Aesop*7, or just stories that use mythology as a jumping-off point for something otherwise original.

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Fall TV: Return to Westeros, Middle Earth, and More

Fall television season is upon us, and fantasy fans are eating well. I have a real penchant for fantasy movies and television shows based on books that I haven’t read, and there is plenty of new content to keep us entertained as the nights start to get darker. Below are some adaptations I’m particularly excited about; let us know your own picks in the comments! 

House of the Dragon

How are we feeling, everyone? Are we ready to revisit the world of Westeros? Have we put our hurt sufficiently behind us? We all remember the catastrophe that was season 8. I don’t want to talk about it. Suffice to say, when Game of Thrones ended in 2019, I declared that I would never lay eyes on another A Song of Ice and Fireadjacent property again. Fool me once, right? Cut to three years later, which in pandemic years feels more like eight, and I find myself cautiously optimistic about this new prequel series. The groundwork has already been laid; we already know the houses and the lore of Westeros. We all have our fave houses (Tyrell forever!). But where Game of Thrones spanned several houses and the entire continent of Westeros (and a bit of Essos), House of the Dragon, based on the novel Fire and Blood, reins in the scope to focus mainly on the platinum-haired, dragon-wielding Targaryen family.  

Where the original series covered conflicts and power grabs from house to house, House of the Dragon deals with the inter-family civil war known as the Dance of the Dragons (not to be confused with A Dance with Dragons, the fifth book in the Song of Ice and Fire series…), which is essentially a war of succession (funnily, apparently the showrunners looked to Succession for inspiration). So get ready for more inappropriate family relationships (the Targaryens are famously incestuous, much like the real-life Ptolemy and Habsburg dynasties) and confusing names like Rhaenyra, Rhaenys, Aemond, Daemon, and multiple other combinations of a and e (as someone who still can’t spell Daenerys without the help of Google, this will surely be fun for me). I just watched Wigs Versailles, a show about King Louis XIV’s court at the titular palace, full of melodrama, political machinations, assassinations and the like (and also beautiful, gorgeous hair). So I, for one, am primed and ready for more of that…plus dragons.  

House of the Dragon airs on Crave (HBO), Sunday nights at 9:00 pm. Get caught up on the original series here.

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