Tag Archives: Chinese fiction

Strange Beasts of China

Book Cover of Strange Beasts of China by Yan Ge

Set in a fantastical China where a variety of so-called beasts coexist with people, in an indeterminate era that evokes some sense of the past in the sense that the vocabulary chosen and style of writing is reminiscent of what one may find in translations of old texts (a deliberate choice), Strange Beasts of China starts off in a somewhat sterile fashion, detailing one type of beast per short chapter, as though a guidebook to a fantastical world that we have already been immersed into, the way that Fantastical Beasts and Where to Find Them is about the magical creatures in the world of Harry Potter, except we’re discovering this world as though through these reports of the beasts. And as the narrator becomes ever more enmeshed with the beasts she introduces, the narrative begins to take on a frenetic pace – the guidebook structure doesn’t crumble altogether, but becomes infused with its own life: what are the beasts, these Others, and who are the true beasts here? As the author mentions in an interview with the CBC, she was “making pretty straightforward metaphors about marginalized, underrepresented and oppressed groups”, and it’s not difficult to derive this from the text, but the change in pacing, in tone, as Strange Beasts tumbles along, half detective story/half guidebook, makes it difficult to tear yourself from the blurry and messy story of the beasts within the story, as the sterility of the guidebook entirely falls apart to reveal how fragile are what details we take to be the truths that constitute our world.

I’m not usually a great fan of short stories, and so I wasn’t too sure when I picked up Strange Beasts of China that I’d get into it, but the short stories are all interconnected, dropping clues for the reader – never enough for you to figure it out, I don’t think, but enough to make some guesses – such that you won’t be able to tear yourself from the story once it reveals itself.

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The Monkey King

Do you ever revisit characters or series from your childhood, rewatching them or taking in new adaptations of them as they’re released? Besides that apparently being a sign that I might be anxious, I’m always a bit surprised by the hit of nostalgia when I do encounter certain things I grew up with*, like Sun Wu-Kong from Journey to the West. I remember watching the Hong Kong adaptation as a child, though I don’t actually remember it all that well, so when I saw Girl Giant and the Monkey King on the shelves this year, I knew I had to read it.

Eleven-year old Thom has been having a bit of a rough start to her new life in Georgia, between being one of two Asian kids at the otherwise all-white school and getting bullied by a few girls in her grade (which posse the other Asian girl belongs to), but that’s not even all: she also happens to have superhuman strength that she hasn’t quite gotten the grasp of controlling. As in, she fractured someone’s ribs when she kicked a soccer ball and the goalie tried to block it kind of superhuman strength. Aaaand she might have accidentally freed the Monkey King from the legends when she and her mom visited a temple. Her mom absolutely refuses to acknowledge her developing supernatural strength (ignoring the car door handle Thom accidentally wrenched off, the cup she squeezed too hard…) and avoids any and all attempts to talk about Thom’s father, who’s not in the picture, so despite his penchant for mischief, the Monkey King, Sun Wu-Kong, quickly worms his way into her life as her only true friend and ally, listening to her and helping her accept and control her incredible strength. But is the Monkey King really her friend, or is he just using Thom for his own plans?

You don’t need to know anything about the legend of the Monkey King to read Girl Giant and the Monkey King, as Hoang weaves the mythology in seamlessly. You don’t need to know the gods, goddesses, and heroes of Heaven in order to see the parallel between their snotty bubble and that of Thom’s middle school, and Sun Wu-Kong’s character is fleshed out well, allowing for the shades of grey that define him neither as a good guy or a bad guy, but a complex character that may be looking out for himself in ways, but is not immune to friendship and loyalty. For anyone who read this in record time as I did, look out for the sequel, Girl Giant and the Jade War, by Van Hoang, which is on order now!

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