My Film Studies courses were some of my favourite classes during my liberal arts degree. Building on a love of movies that’s been with me since I was a kid, I love applying an analytical mindset to the medium. Cinematography techniques, editing terms and styles, the history of silent film, and the invention of the “Talkies.” This juicy knowledge allowed me to better understand the choices writers, directors, and actors make — all of which affect the final product. It turns out we have plenty of books about the history of cinema in our collection. I thought I would share the most intriguing ones for me in the hopes that you are inspired to learn about the avant-gardists and the innovators, the great craftspeople of the movies who have been creating amazing works of art for over a century now. Let us start with some of the best directors that have ever existed. I took out Andy Tuohy’s alphabetically organized, slender reference book A to Z Great Film Directors a year or two ago. I remember savouring the condensed morsels of information on each page. I was familiar with some of the collected auteurs, but more often I had heard their name without knowing much about them at all. As a trivia enthusiast, I was also hoping to find out some tidbits and little-known facts that might come up during Jeopardy. I had to return the book before finishing, stopping somewhere around Hitchcock or Iñárritu. I will get back to this one someday. I’m sure of it. The bright and colourful graphic illustrations of directors make each entry fun and keep you turning the pages.
Continue readingTag Archives: DVD
Lynn Shelton Fan Post
Gather round my cinephile friends (even you who don’t consider yourself as such), you’ll want to hear this. Have you heard of Lynn Shelton? No? Well, pull up a chair and make yourself comfortable. I first became aware of Lynn Shelton after watching her incredibly earnest and sweet picture, Touchy Feely from 2013. Sometimes a movie just hits you right in the solar plexus with its message of “you are not alone,” and that’s what this one did for me. We follow Rosemarie DeWitt’s character Abby. A masseuse by trade, one day she develops an aversion to other people’s skin that throws a wrench in everything. As a writer, this premise makes me think of one of the most effective writing aids I’ve ever been taught in a writing workshop: give your character the biggest obstacle that particular character could face. As a masseuse, developing an aversion to skin and touching other people is pretty much a mountain. Understandably, Abby is lost after that, not knowing what to do without the thing that gives her life meaning and fulfillment. We are introduced to Abby’s niece Jenny (played by the wonderful Elliot Page), her dentist brother Paul (Josh Pais), her boyfriend Jesse (Scoot McNairy), and the incredibly skillful Alison Janney as Reiki healer Bronwyn. Apart from the last, all of the characters seem lost in some way or another. Page’s Jenny has an unrequited crush on someone she can’t avoid, dentist Paul has closed himself off to life in a number of ways, and even Abby’s boyfriend Jesse is floundering in their relationship. I love that the actor’s name is Scoot, by the way. How many people do you know with a name like that? It’s a quiet film with very little plot to speak of. If you’re someone who’s used to action-packed adventures, it might not be for you, but I was moved by the performances and comforted by the characters ability to connect with one another. The littlest connection sparks something in each of them, and they start to come back to themselves and some sense of normalcy. I’d love to rewatch this one soon.
I’m glad I discovered Lynn Shelton while she was still alive. Tragically, she passed at the age of 54 of leukemia, but her work will always be there to discover. According to Wikipedia, she was a stalwart of the mumblecore genre, which is a hilarious term for the subgenre covering a range of independently-produced, small budget films with a focus on character development, interesting dialogue (presumably spoken at a lower volume than usual), and a desire to capture a feeling of authenticity. Fellow directors classified as “mumblecore” include the king of improvised indie cinema Joe Swanberg, known for the Netflix show Easy and several films featuring Jake Johnson (Nick from New Girl). Speaking of New Girl, the actors who played Cece and Winston have a podcast that’s a lot of fun for true fans of the True American players. We’ll get back to New Girl in a bit, as Shelton directed multiple episodes over the course of its run.
Continue readingThe Particular Strengths and Joys of A24 Films
My friends and I were discussing the cinematic wonders of the coolest production and distribution company around the other day (shoutout to my library folk friends). Our delightful conversation gave me the idea to pay homage to all the beauty, craftsmanship, and excellence that is A24 in written form. I’m not the first to recognize its brilliance on our Hot Off the Shelf blog team, by the way. My colleague Alyssia wrote a post about some of her favourites here. With the Toronto International Film Festival coming to a close, it seems particularly appropriate to tell you about some of my cherished A24 films. The name A24 comes from a motorway that one of the founders of the company was travelling on in Italy when he had a Paul on the road to Damascus (or Rome, as the case may be) epiphany. His a-ha moment, in the parlance of Oprah, was to put aside his fear of starting his own company and begin. Evidently, his was a good decision because it became the first independent studio to take home the top four acting categories, Best Director, and Best Picture for Everything, Everywhere, All at Once in 2023. I would be remiss if I did not mention the distinct style of A24 horror movies that is now synonymous with the moniker. Often exploring similar thematic content, cultivating similar unsettling atmospheres, and uncomfortably expanding the minds of audiences everywhere, these movies have inspired a diehard fandom. Personally, I have not seen any of them. I am, what they call, a sensitive bean. So, I shall stick to the more moderately frightening psychological thrillers and the like. There are a few on this list. If you’re a horror fan, do check out Hereditary, The Witch, Midsommar, and The Killing of a Sacred Deer (linked to our catalogue offerings). So, without further adieu, should we get to it?
Continue reading