Tag Archives: movies

Rock On!

I have five alarms set on my phone. They’re not for waking me up in the morning, since I have an established sleep cycle where I’m in and out of bed at the same time every day (a routine I’ve had for as long as I remember). Rather, the alarms inadvertently do the opposite: they keep me awake by building excitement. Whenever I watch the seconds tick by, I know it shortens the time until the alarms will eventually erupt on five different days scattered throughout the year, proclaiming that it’s finally time to rock and roll at a concert. Given my blatant enthusiasm, it’s unsurprising that this will be a post dedicated to headbanging-worthy music.

It may sound paradoxical, but I tend to find comfort in cranking up rock and metal music to thunderous levels. While some people likely believe that rattling my eardrums to those genres, particularly the latter, only provokes an agonizing atmosphere, I find that it eases whatever’s unpleasant — such as the sniffles and sneezes brought by the impending allergy season — by way of catharsis. Concerts especially amplify that buoyancy, typically cultivating a bond that’s shared among the people you’re cavorting shoulder to shoulder with.

The recommendations below, some of which are not-so-subtle hints at the concerts I’ll be attending, are written by/about artists or bands that my ears find pleasant. If you’re looking for some adrenaline to get through these final weeks of winter, perhaps these titles will pump you up with a hefty dose of ebullience.

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The Anti-Oscars

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Welp, it’s that season again. No, I don’t mean the lingering frigid temperatures and precipitation of February. I mean award season. Is it just me or do The Oscars nominees seem particularly far removed and uninteresting in comparison to what us plebs are actually watching? I’m intrigued by The Brutalist, now being heralded as Adrien Brody’s greatest work since The Pianist, but I have a feeling my interest in architecture won’t be enough to keep me in my seat for over three and a half hours. Do you ever get the feeling that the teams behind these often bloated, slow-moving marathon pieces are in some kind of secret competition to make the longest movie possible? Whenever a film exceeds two and a half hours, I generally wish the editor had stepped in with their metaphorical (and anachronistic) scissors to cut large swaths of unnecessary film from the picture. If you’re like me, and you look for award competitions that honour plucky, underdog ventures, look no further. I found some awards that have applauded what I’ve actually been watching and what I hope you’ve been watching too! In the tradition of anti-proms, I hereby dub this the Anti-Oscars. Last year around this time, I introduced you dear readers to the Dorian Awards — a competition run by GALECA: The Society of LGBTQ Entertainment Critics. Read more about the Dorians here, but suffice it to say, there are traditional award categories like Film of the Year, and there are also ones you don’t see everyday, like LGBTQ Film of the Year and Visually Striking Film of the Year. This time around, more than one of the nominations for Unsung Film of the Year are movies I’ve seen and very much enjoyed. Let me tell you a bit about them.

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Lynn Shelton Fan Post

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Gather round my cinephile friends (even you who don’t consider yourself as such), you’ll want to hear this. Have you heard of Lynn Shelton? No? Well, pull up a chair and make yourself comfortable. I first became aware of Lynn Shelton after watching her incredibly earnest and sweet picture, Touchy Feely from 2013. Sometimes a movie just hits you right in the solar plexus with its message of “you are not alone,” and that’s what this one did for me. We follow Rosemarie DeWitt’s character Abby. A masseuse by trade, one day she develops an aversion to other people’s skin that throws a wrench in everything. As a writer, this premise makes me think of one of the most effective writing aids I’ve ever been taught in a writing workshop: give your character the biggest obstacle that particular character could face. As a masseuse, developing an aversion to skin and touching other people is pretty much a mountain. Understandably, Abby is lost after that, not knowing what to do without the thing that gives her life meaning and fulfillment. We are introduced to Abby’s niece Jenny (played by the wonderful Elliot Page), her dentist brother Paul (Josh Pais), her boyfriend Jesse (Scoot McNairy), and the incredibly skillful Alison Janney as Reiki healer Bronwyn. Apart from the last, all of the characters seem lost in some way or another. Page’s Jenny has an unrequited crush on someone she can’t avoid, dentist Paul has closed himself off to life in a number of ways, and even Abby’s boyfriend Jesse is floundering in their relationship. I love that the actor’s name is Scoot, by the way. How many people do you know with a name like that? It’s a quiet film with very little plot to speak of. If you’re someone who’s used to action-packed adventures, it might not be for you, but I was moved by the performances and comforted by the characters ability to connect with one another. The littlest connection sparks something in each of them, and they start to come back to themselves and some sense of normalcy. I’d love to rewatch this one soon.

I’m glad I discovered Lynn Shelton while she was still alive. Tragically, she passed at the age of 54 of leukemia, but her work will always be there to discover. According to Wikipedia, she was a stalwart of the mumblecore genre, which is a hilarious term for the subgenre covering a range of independently-produced, small budget films with a focus on character development, interesting dialogue (presumably spoken at a lower volume than usual), and a desire to capture a feeling of authenticity. Fellow directors classified as “mumblecore” include the king of improvised indie cinema Joe Swanberg, known for the Netflix show Easy and several films featuring Jake Johnson (Nick from New Girl). Speaking of New Girl, the actors who played Cece and Winston have a podcast that’s a lot of fun for true fans of the True American players. We’ll get back to New Girl in a bit, as Shelton directed multiple episodes over the course of its run.

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