Tag Archives: writing

Why Do We Tell Stories?

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“Why do we tell stories? To try to make sense of a world that can be terrifying and enormous.” – Brennan Lee Mulligan

It’s a quote that comes back to my mind every so often, as someone who works in a house full of stories (aka the library) and as a writer. You could say it’s a favorite quote of mine (and I promise it has nothing to do with the fact it comes from one of the best Dungeons & Dragons live play sessions I’ve ever watched). Every time I get struck by the dreaded writer’s block and every time I start fretting over the words in my blog posts for more hours than can actually be healthy, I hear those same words in the back of my head.

Why do we tell stories? Because the world can be terrifying, and enormous, and so hard to make sense of.  

Mulligan’s answer is one of many, but don’t worry, I’m not going to delve into more horror picks this month as much as I want to focus on the “terrifying” part. His words usually get me thinking about the question itself. Why do we tell stories? The habit of storytelling is as old as recorded history, if not older, and yet we still do it, from amateur weavers to lauded professionals. We have places where you can buy stories and places where you can get them for free. Even the internet has curated spaces and websites specifically meant for telling stories (here’s looking at you, fanfiction auteurs).

With November coming up, which for the past eight years has been Buckle In and Get Writing Month to me, I was going to make this post about the usual writing guides, tips, and tricks that the library and the internet have to offer. Instead, I would like to shift gears and make a miniature investigation into storytelling, with you readers as my honorary Watsons. I hope you all have your deerstalkers on.

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National Poetry Month: Instapoetry and Beyond

How to Cure a Ghost by Fariha RoisinAs art forms go, poetry is probably one of the most misunderstood. When you think of poetry, what comes to mind? Boring, incomprehensible gibberish? Maybe. Particularly with older versions, it’s almost impossible to appreciate without someone guiding you through it. But poetry is one of the oldest methods of artistic expression—think of Gilgamesh, an ancient Mesopotamian poem and the oldest known surviving piece of literature— and it’s still around, so it must be doing something right. April is National Poetry Month, so to honour this literary practice I want to share some current poets who might make you change your mind about poetry, and show how you can get into it yourself!

The great thing about poetry is that it’s adaptive. Some forms rely on specific structures (sonnets, haikus) while others are free verse. It doesn’t matter! A poem can be what you believe it to be, as long as it expresses some truth. One of the most popular poets working today is Brampton’s own Rupi Kaur, whose debut collection Milk and Honey sold over 2.5 million copies (as of 2017, so more by now!). Kaur’s voice and distinct style is so recognizable that it has gotten the inevitable meme treatment. She’s part of a new wave of poets dubbed, perhaps a bit disparagingly, “Instapoets”, owing to the social media channel that launched their success. An Instapoem uses the small, square image format of Instagram, resulting in quick, bite-size poems that are easy to consume. They are minimalist in design, a few lines carefully organized in an aesthetically appealing way. There is a lot of handwringing over this format, but I wouldn’t be too quick to dismiss it—after all, isn’t brevity the soul of wit? If these writers are able to form a connection with readers in the span of a few seconds, why should we discredit that? Rupi Kaur has four million Instagram followers—that’s four million people her work has presumably spoken to.

In fact, Instapoetry has been described as “gateway poetry”. The fact that Kaur’s work does not translate solely into likes but also into seven-figure book sales speaks volumes; people are literally buying what she’s selling! And they’re stepping into a world that may have seemed intimidating before. As The Atlantic puts it, “Social media seem to have cracked the walls around a field that has long been seen as highbrow, exclusive, esoteric, and ruled by tradition, opening it up for young poets with broad appeal, many of whom are women and people of color.”

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