As a library worker, I’m worried about the state of information in the world right now. I know you’ve heard some version of this sentiment in the past, so feel free to skip to the Question of the Month details below. If you’re still with me, here’s what’s on my mind. Social media, the polarization of politics, and the sheer volume of content online have all contributed to a massive amount of misinformation and disinformation — readily available on the internet. What is the difference, you may ask. Well, here’s a nifty resource that will hopefully help explain, but in brief, the difference is largely about intent. Misinformation is just false, but there’s no indication that the person who wrote it, post it, or spread it had malintent. Disinformation, on the other hand, refers to misinformation that is broadcast, generated, or shared with the intent to deceive, manipulate, influence, cause alarm or any other negative effect on the recipient. You can see that there’s a big difference between those two concepts. There’s also another type of information that you might not have heard of (I hadn’t either). It’s malinformation. Again, intent is important here. The intent with malinformation is to be truthful. It stems from facts, but the truth has been stretched in some way — distorted in the process. That act of distortion is where the danger lies. So, these are the three types of information battling it out online right now for who can do the most damage. Who can influence, isolate, and turn people against one another and towards radicalization the most. Notice, I’m using abstract concepts, anthropomorphizing, describing them as if they’re people. There are real people who have contributed to all these types of inaccurate information being online or in print, but this post isn’t about that. Much has been written about the way social media algorithms operate, feeding users misinformation and disinformation if they’ve interacted with similar topics on the platform in the past. Profit is just one motive or factor driving this proliferation. Check out the Canadian Democracy @ Work modules for a more in-depth look at this critical topic, but that is not the focus of this post. This post is about wanting to positively impact our community and cultivate civic engagement. And so, with that aim in mind, we are introducing the Question of the Month at VPL. We can’t claim credit for the idea, however. It was Harrisburg Community Library in South Dakota that came up with Question of the Week. We’ve adapted it to suit our needs at VPL. Every month, starting in the new year, we will pose a new query to our customers, starting a dialogue between them. Folks who want to participate may add a Post-it with their response to the display at participating libraries. The goal is for people to see that the answers to a lot of the questions will be the same for many of them. Questions like, what do you value most about Vaughan? What is the most important thing a community should have? We’re also partnering with the City of Vaughan (as we are wont to do) to help increase awareness of the municipal election coming up in fall 2026. It’s so important to participate in all levels of democracy, not just federal. There’s a lack of detailed information about what happens in an election at the municipal level out there. We’re trying to change that, so be on the lookout for municipal election and civic engagement content this year in the lead-up to the vote. In the meantime, I scoured our catalogue for writers tackling civic life in unique ways. We’ve all had the lecture. There’s no point in repeating that, but some authors are coming at democratic participation and public discourse from helpful and innovative perspectives. I’m going to keep it short today, and just talk about one promising read, but I will be coming back to this topic in future blog posts.
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Confessions of a Toxic Tech Company
You’ve probably heard the news about Twitter—I’m sorry, the recently rebranded ‘X’—and everything Elon Musk is doing with the social media giant to, it seems, drive the company right into the ground. (For fun? For profit? In a fit of megalomaniacal spite? Who knows, but as someone without a Twitter account and zero stake in the game, it sure is fun to watch.)
Which got me thinking about the movie The Social Network and the toxic histories (to match the largely toxic climates) of so many social media companies.
On the one hand, it’s horrifying, considering how much of our information these companies have and the control they can exert on our lived reality (see: fake news, as just one example). On the other hand, it’s definitely entertaining to dive deep into the dramas surrounding all these companies.
In the spirit of that, here are some stories of toxic tech companies, the wild egos behind them, and what affect they have on our society, our minds, and our future.
Continue readingWe Need to Talk About BookTok
Earlier this year I wrote about the hype machine and its influence on the book industry (and on our own subsequent reactions to the hyped books). In that post, I talked about how Instagram (“Bookstagram”), YouTube (“BookTube”), and Goodreads all contribute to the success of certain books. But, in my ignorance of the app, I neglected to pay tribute to the actual behemoth in the hype game: TikTok.
Confession: as an organization comprised mainly of adults, staff at the library are not as TikTok-literate as some of our younger patrons. A lot of us were scratching our heads as to why, for example, The Song of Achilles—a book published in 2011—currently has a combined total of 115 holds (and our neighbour to the south, the Toronto Public Library, boasts a total of 1911 holds). I mean, it’s a great book, but why the sudden burst in popularity? The story behind this is the same for titles like We Were Liars (2014), They Both Die at the End (2017), and One of Us is Lying (2017), which all have disproportionately long waitlists for how long they’ve been out. And the story is, to put it simply, that someone cried about them on TikTok.
Influence on book popularity often comes from outside the literary world. At the library, we know that if a book is adapted into a film or television show, the hold list will jump astronomically (if anyone is still interested in reading the first book of the Bridgerton series, it looks like it’s finally available). Same thing happens when a celebrity endorses a book, or if an author goes on TV to talk about their work (this is particularly true for health-related topics like dieting and aging). So it’s not surprising that social media would be a similar force. But where Instagram users pitch books via artfully arranged, hyper-controlled, aesthetically conscious images, and where YouTube creators talk about books for anywhere from 5-30 minutes, TikTokers create short, quick videos pivoting almost entirely on emotional reactions: “books that will make you sob” is a popular topic, and often features people wailing dramatically into the camera. In an interview with the New York Times on the topic, the director of books at Barnes & Noble shared the following tidbit: “These creators are unafraid to be open and emotional about the books that make them cry and sob or scream or become so angry they throw it across the room, and it becomes this very emotional 45-second video that people immediately connect with.”
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