Tag Archives: publishing industry

Why Does Publishing Have Such a Race Problem?

Image result for american dirt coverHere at the library we like to keep a close eye on the publishing industry. We like to be informed of any upcoming “big ticket titles”, the newest Reese Witherspoon book club pick, the most recent big purchase by film or television studios. For the most part, it’s pretty smooth sailing. But lately it seems like every month or so the publishing world becomes embroiled in another scandal. Even ignoring the ridiculous high school drama that breeds on Book Twitter, there’s a surprising amount of self-inflicted drama from the big publishing houses that should be easily avoidable. So what’s the problem? Well, to put it bluntly: the industry—like so many others in the West—has a problem handling race.  

My colleague Karen wrote a brilliant piece in 2018 about the troubling statistics of race in the romance publishing industry, and two years later it looks like not much has changed. This particular segment of the industry has descended lately into full-on scandal with the whole Romance Writers of America drama that erupted over Christmas in 2019. It’s far too long and convoluted to get into here (if you want the whole scoop, enjoy Pajiba’s cohesive summary), but I’ll give a rundown of the basics. In August of 2019, Courtney Milan (a Chinese American romance author) called out Glenfinnan Publishing for employing a woman named Sue Grimshaw (whose support for Trump, ICE, and history of racism can be traced through her Twitter likes). Soon after, Milan discovered that one of Glenfinnan’s editors Kathryn Lynn Davis had some questionable content in her past, and called out Davis’s 1999 work Somewhere Lies the Moon as racist against Chinese people. Now, I don’t know how helpful it is to be calling out works from 20 years ago (there are a whole host of things from the 90s that would be unacceptable today—that’s how progress works), but the fact is Milan is not wrong and can frankly discuss whatever she wants on her own Twitter. What followed was a deranged, out-of-proportion response from the white members of the Romance Writers of America, an organization to which Milan belonged.  

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Romance Fiction, or Diversity in the Publishing Industry

Helen HoangI’ve been waffling a bit about whether to write about this or not, because I guess it’s not exactly a leisurely topic, except… I actually do read about the lack of diversity in the publishing industry in my leisure time, and I’m wagering I’m not the only one, so yes, I do believe this is for your leisure!

(I’ll try my best to avoid throwing words like “hegemony” and “heteronormativity” around, in the interests of keeping this leisurely.)

Here’s a brief excerpt from a romance novel:

Michael was mint chocolate chip for her. She could try other flavors, but he’d always be her favorite.

(Helen Hoang, The Kiss Quotient)

Quick: what race/ethnicity is Michael? How about her?

Did you assume they were both white?* So Michael is Vietnamese and Swedish, and the female character is unspecified (I think – I’m going off a comment on Goodreads) with Asperger’s. And when it’s unspecified, we generally default to thinking of white (cis/able-bodied/straight) as the norm – the female character’s Asperger’s is defined in the novel. So let’s talk about whiteness in the romance fiction industry, below the cut.

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