Tag Archives: adult non-fiction

A Couple Comedians to Spread Some Post-Holiday Cheer

Cover-image-for-Mike-Birbiglia's-film-Sleepwalk-with-Me
Credit: amazon.ca

Mike Birbiglia’s latest comedy special on Netflix is entitled The Old Man and the Pool. The Hemmingway reference did not go unnoticed by this library worker, that’s for sure. I was drawn to see this latest offering based on a vaguely pleasant recollection of his film, Sleepwalk with Me, which was released in 2012. The film was based on his one-man show of the same name and a corresponding book. All three tell the true story of Birbiglia’s troubles with somnambulism (otherwise known as sleepwalking). Apologies, somnambulism is one of my favourite words — rarely do I find an opportunity to use it. I’ve always seen Birbiglia as someone on the forefront of what is possible in the medium. He seemed to be one of the first to incorporate extended, personal narratives in his comedy. In doing so, he creates an impression of extreme honesty and self-deprecation. Since his specials have often originated as one-man shows, they have a hybrid tone. He combines the earnestness and gravity of drama, with the rhythms of traditional stand-up. The set-ups and punchlines are all there — the pauses that indicate the audience should react to something that was said. All the artifice of the artform is present, but it’s balanced by the perilous reality of movement while unconscious.

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Top Ten Borrowed Lists for 2023

Cover-image-for-Emily-Henry's-novel-People-We-Meet-on-Vacation

It’s that time of year again. The time when algorithms — and the multinational corporations who employ them — encourage us to look back. At the pictures we’ve taken, the music we’ve listened to, and the digital lives we’ve led over the past year. We inevitably start to draw conclusions. What kind of year has it been? ‘Have I listened to a lot of emotional music this year?’ Or, ‘Should I start taking more pictures of my friends?’ It feels as if we’re being prepped to make our new year’s resolutions starting from the end of November, and resolutions have never been my friends. I don’t find it helpful to try to start new habits at the beginning of the calendar year, when we’re all getting over the indulgences and excesses of the winter holiday season. If there’s a habit I want to start, I try to start it when the motivation and momentum are there. I don’t know about you, but I generally don’t have much motivation or momentum at the beginning of January. Nevertheless, it is the end of the year, so here at VPL we’re looking back at the most popular books and films borrowed by our customers in 2023. Here are my recommendations from the top ten lists this year. I share them in the hopes that they may bring a little joy to the last part of your 2023. Don’t worry about your new year’s resolutions yet. To paraphrase Ina Garten:

Don’t worry about the future. If you’re in a stream, and you find yourself knocking against the riverbanks, you’re in the wrong stream. Find a stream that carries you along. 1

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Inside the Mind of Miyazaki

the-boy-and-the-heron

Hayao Miyazaki is a Japanese animator, filmmaker, and manga artist, and co-founder of Studio Ghibli, which produces some of the most beautifully animated films of our time. Miyazaki himself is considered one of the most accomplished filmmakers in the history of animation.

Ahead of the December 8th release of the latest Ghibli film The Boy and the Heron, I thought a little dive into Miyazaki and Ghibli would be apt.

My first Miyazaki-Ghibli film (to distinguish from Ghibli films by other directors and/or screenwriters) was Spirited Away. My uncle brought it for me on DVD when I was somewhere between 10 and 13 years old, and said it was his favourite and that he thought I might like it. I remember being a little scared by all the monsters, horrified by Chihiro’s parents turning into pigs, and ultimately entranced by everything else. I was already hugely into fantasy, and there was nothing more designed to hook me at that age than a dragon-boy, a grumpy girl, and their relationship with each other.

Since then, I’ve been an avid Ghibli fan, though there are a few I haven’t watched, and one I refuse to watch simply because it’s too sad and will make me cry inconsolably.

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